On a San Franciscan morning the firemen have parked up their engine on the sea front. It's not 1905 any more. Surfers bob, the rolling breakers not strong enough for any tunnel riding. Pelicans flap, stop, slow and plunge down amidst the wetsuited clans, like so many sleekbacked seals, grabbing invisible fish in the grey clouded waters.
From the top of the ferris wheel, on top of the board walk, attached to Santa Cruz, we can see everything. Cross pathed families, teenagers, couples intersecting and a million faces passing by never to be seen again, or somewhere to be seen again, crossing at a future intersection, or queueing in the supermarket, or living down the block. Somewhere down that infinite mosaic. You zoom out, a set of concentric rings, or a maze, or a figure 8.
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There are no bangs in the skies over Morro Bay this Independence Day. Instead, a thousand laser star spangled banners flutter across the projection screen. They smash a hammer and sickle. This show was last seen gathering dust in a 1970s warehouse. Those days are that-a-way. Single line caricatures dance and play the guitar in time with the slowballad old time rock'n'roll, but the crowd are restless. Where's our whistle and bang? Where's the sparks flashing out from the pulse of light? They aren't there in the laser representations.
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Elephant seals spread their blubber in the sunscalded sand, wrinkled schnozzes snuffing and comical, like B movie aliens. Fleshwaves rhythmic oscillation in a hefty beach shuffle. They came here to scrap and to mate, like a sea front wilderness version of every city centre in every country.
Car rush pedal down and swoop down and up along all the vectors, camber ache in the shoulders and neck. Tailgating is the only way to ride the Californian cliffs. Bludgeon your way through traffic. Roadclambering around windgnarled cypress trees, zigzagging to the soleil. Kelp or sea otter? Always kelp. We are southwest. Two corners of the square. I always liked geometry.
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